zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???
PART ONE / PART TWO / PART THREE zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???
PART ONE / PART TWO / PART THREE zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???
PART ONE / PART TWO / PART THREE zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???
PART ONE / PART TWO / PART THREE zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???
PART ONE / PART TWO / PART THREE

zacharielaughingalonewithsalad:

TF2 Textposts - Part Two of ???

PART ONE / PART TWO / PART THREE

ghosturie:

patrick-stumps:

ottermatopoeia:

mattniskanenseyebrows:

OCTOBER IS NEXT WEEK

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OCTOBER IS THIS WEEK
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OCTOBER IS TOMORROW

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I͔̟̠̻̽̋̌͋͌́̆T̶̠̖̙͙͈̐͂S̽ͥͣ̄̄̚͝ ͖̞̈́͗̄̿͐O̠̪̙͊ͯ͒͐͐̐̐Cͭ̃͛́T̍ͣ́ͮͩŎ̈́҉Ḅ̞ͦ̾̄͗̓͛͘E̸̥̩̦̝̲̊̉͋̅̋̒̿R̲̝͔̪̬͎̯̎̋

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5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header 5chun2:

just some crappy drawings for my twitter header

5chun2:

just some crappy drawings for my twitter header

asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools
asylum-art:

Parallel Worlds by Michał Karcz
500px| Facebookon | deviantART| on Behance
Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.
Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools

asylum-art:

Parallel Worlds by Michał Karcz

500px| Facebookon | deviantART| on Behance

Some artists get to the point when their usual medium or technique starts to limit their visions. This is exactly what happened to a Polish artist Michal Karcz who found that painting and the ordinary dark room photography techniques didn’t allow him to fully realize his potential.

Born in 1977 in Warsaw, the graduate of the High School of the Arts was first passionate about painting. However, in the early 90′s, he became drawn to photography only to realize that the dark-room techniques alone were almost as limiting as the paintbrush and canvas. Luckily, the developing technology allowed him to combine the two with the help of some digital tools

seanmonster:

smaug-official:

wicked-mint-leaves:

naoren:

filmeditor16:

official-sokka:

thats-not-a-toilet:

korrastyle:

OH SHIT

is this why the show was taken off nick?

So this is what air benders can do. Sucking the air out of people’s lungs. Just as cool as lightening bending if you ask me

No I don’t think you guys understand this is frightening

Airbenders are pretty much the most powerful benders. A firebender has to create fire. A waterbender is most powerful on the open seas as much as an earthbender is on land. But air is literally everywhere.

The Air Nomads weren’t dangerous because they chose not to be.

you’vE GONE TOO DEEP

Hey, HOLD UP.

While I agree that Airbenders do have a lot of power at their exposure, they aren’t the only ones.

Waterbenders can bend any type of fluid containing water, even blood inside the human body! That’s pretty fucking metal.

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They can also take the water vapor out of the air, use their own sweat or even drain the water out of every living thing nearby. 

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Imagine that ^^ happening to a person..

Next we have fire, the element of destruction. Like Airbenders, they can use the air around them, and transfer it into energy. Firebenders can bend or generate anything fire/ heat related.  That means lightning, flames, or extreme heat that has the potential to shape its environment (such as melt molten rock and metal.) Even fire breath!

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Next we have Earth. Earthbenders can bend anything related or comprised of Earth, such as metal, rock, dirt, sand, etc. EVEN LAVA. Anything mineral related? You got it. Admittedly, minerals- although extremely easy to come by, are not as present as water or air. But there sure is enough to make use of, and we can’t say Earthbenders aren’t powerful!

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This guy just stopped a volcano. 

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Not only are they powerful, but they are also graceful. 

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And I mean look at this! Avatar Kyoshi Earthbends a freaking continent in HALF!

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In conclusion, fear all benders. 

tastefullyoffensive:

The Adventures of George Washington by LadyHistory [more] tastefullyoffensive:

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tastefullyoffensive:

The Adventures of George Washington by LadyHistory [more]